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Muzaffarnagar Baaqi Hai: A Documentary on the 2013 Riots in Uttar Pradesh
Muzaffarnagar Baaqi Hai (Muzaffarnagar Remains) is a 2015 documentary film directed by Nakul Singh Sawhney that explores the causes and consequences of the 2013 communal riots in Muzaffarnagar and Shamli districts of Uttar Pradesh, India. The film features interviews with local people, activists, journalists, and politicians who witnessed or were affected by the violence that claimed over 60 lives and displaced thousands of people, mostly Muslims.
The film exposes the role of political parties, especially the Bharatiya Janata Party (BJP), in instigating and exploiting the communal tensions for electoral gains. It also shows how the media and the police failed to report or prevent the atrocities committed by the rioters. The film also highlights the resilience and resistance of the survivors who are fighting for justice and peace in the aftermath of the riots.
Muzaffarnagar Baaqi Hai is a sequel to Muzaffarnagar Abhi Baki Hai (Muzaffarnagar Is Yet to Come), a short film made by Sawhney in 2014 that documented the hate speeches and propaganda campaigns that preceded the riots. The film has been screened at various film festivals and universities across India and abroad. It has also faced censorship and opposition from some groups who accused it of being biased and anti-national.
Muzaffarnagar Baaqi Hai is a powerful and courageous documentary that exposes the ugly realities of communal politics and violence in India. It also raises important questions about democracy, secularism, and human rights in a country that claims to be the world's largest democracy.The film has received mixed reviews from critics and audiences. Some have praised it for its courage and honesty in exposing the communal politics and violence in India, while others have criticized it for being biased and one-sided. Some have also questioned the authenticity and credibility of the sources and testimonies used in the film.
However, the film has also sparked debates and discussions on the issues of communalism, secularism, democracy, and human rights in India. It has also inspired many people to stand up against injustice and violence, and to work for peace and harmony among different communities. The film's title, Muzaffarnagar Baaqi Hai, which means Muzaffarnagar Remains, is a message of hope and resilience for the people of Muzaffarnagar and India.The film has also faced several challenges and controversies in its screening and distribution. The film was banned by the district administration of Muzaffarnagar and Shamli, citing law and order issues. The film was also denied permission to be screened at the Kirori Mal College of Delhi University, after some right-wing student groups protested against it. The film was also disrupted by the Akhil Bharatiya Vidyarthi Parishad (ABVP) at various universities and colleges across India, including Hyderabad Central University, Jawaharlal Nehru University, Delhi University, and Allahabad University.
The film's director, Nakul Singh Sawhney, has been accused of being anti-national and anti-Hindu by some critics and groups. He has also faced threats and intimidation from some quarters. However, he has also received support and solidarity from various civil society groups, activists, filmmakers, academics, and students who have defended his right to freedom of expression and artistic creativity. He has also been invited to screen his film at various national and international film festivals and platforms.
The film's impact and relevance go beyond the specific context of Muzaffarnagar and Uttar Pradesh. It reflects the larger issues of communalism, violence, polarization, and politics that plague India today. It also challenges the dominant narratives and discourses that seek to suppress the voices of the marginalized and oppressed. It also offers a ray of hope and inspiration for those who are striving for justice, peace, and harmony in India. a474f39169